Read this Wildlife Art Journal article APPIAS LYNCIDA (Kakusu kouhou taiyo), photograph. This image, which in Japanese means "Hide behind the sun", was taken with a Nikon D3x and 8 macro flash and appears in Hette's latest book of images, "Les ailes du désir ... ou las vie rêvée des papillons" available on Amazon.com By Stéphane HetteHOPI POT, 2.5 inches tall, 4.75 inches diameter,
By Hisi NampeyoGULLAHMAN PICKING OYSTERS, acrylic on canvas, 40 X 30 inches,
" By John W. JonesGO HOME JUNGLE—CLOUDED LEOPARD, oil on canvas, 16.88 X 31.6 centimeters, By Wenying LiuSPIX'S MACAW, Cyanopsitta spixii (believed extinct), watercolor and gouache on paper, 20 X 14 inches,
By Raphael DutraCOMING THROUGH, acrylic, 22.5 X 15 inches,
By Adam SmithCHILKAT KILLERWHALE, (Tlingit woven hat with gold wire and medallions, patterned after a staff from Klukwan), By Anna Brown EhlersFAN TAIL (Daurian Redstart), watercolor on Moreau paper, 30 X 23 centimeters,
By Eriko KobayashiTHE TOTEM—INDIAN SUMMER FIRE OVER YELLOWSTONE LAKE, photograph, By Steven FullerYOUNG BIRDS IN A MORNING (Black-winged Stilt), arylic on Gesso based paper, 33 X 24 centimeters,
By Masaomi YamamotoA SKIN TATTOO? No, it's a photograph taken by a NASA orbiter revealing surface patterns on Mars. They were created by whirling dust devils. Photo courtesy of NASA, HiRISE, MRO, and LPL (University of Arizona)
SNOW IN DECEMBER (The Jungle Crow), wood block print on Japanese handmade paper, 45 X 21 centimeters,
By Mitsuru NagashimaCAIRN OF TERRA INCOGNITA, wood carving fronting painted canvas (oil), By Steve OsmanURAL OWL FAMILY, watercolor and colored pencil, 46 X 52 centimeters, By Mari OtaguroFIND THE BEE, THERE YOU SHALL FIND HONEY, acrylic, 24 X 30 inches, By Michelle OsmanPAPA TJUKURRPA-NYUMMANU (Dingo dreaming place, Australia), acrylic on canvas, 71 X 122 centimeters,
By Leonie Kamutu NapaltjarriWATERHOLE KILL, oil on canvas, 36 X 48 inches,
By Karen KingWHIRR OF WINGS, oil on panel, 48 X 72 inches,
By Scott YeagerSUNSEEKERS – BOBWHITE QUAIL, bronze on marble with forged copper leaves, 15 X 26 X 20 inches,
By Ken NewmanBIG BROWN BEAR (European), watercolor, 67 X 45 inches,
By Renso TamseHOME OF RAINBOWS—SUNNY BROOK, oil on Belgian linen, 20 X 24 inches, By RANDAL M. DUTRAEDGE OF LIGHT, oil on canvas, 36 X 48 inches,
By Al AgnewUNA TARDE EN EL SUR (Afternoon in the South), oil on canvas, 60 X 90 centimeters,
By Sergio GasparFIRST SUNLIGHT (Monument Valley, Utah, October 10, 2009), photograph,
By Christopher BoyerREFLECTIONS OF LOVE (Pintails), acrylic on canvas, 14 X 18 inches, By Frank BaggettGallery of the Commons�November 2009Aboriginal To Zen, Art To Stir Our Tribal ImpulsesThere is not one right or wrong way to sculpt, paint or photograph an animal. Gallery of the Commons brings you 50 images from Argentina to the Inuit homelands of the Arctic, from the paint kits of the Gullah slave culture along the Carolina lowlands to the bustle of Tokyo. This month, enjoy works by John W. Jones, Stéphane Hette, T. Allen Lawson, Raphael Dutra, Hisi Nampeyo, WenyingLiu, Adam Smith, Anna Brown Ehlers, Setsuo Hamanaka, Carol McArdle, Wayne Levin, Lars Jonsson, Daniel Smith, Ergil Vallo, Eriko Kobayashi, Steven Fuller, Masaomi Yamamoto, Javier Blas, Mitsuru Nagashima, Steve Osman, Mari Otaguro, Broderick Crawford, Douglas Johnson, Tsunehiko Kuwabara, Alejandro Bertolo, Ken Stockton, Joewillie Echalook, Michelle Osman, Leonie Kamutu Napaltjarri, Jan Martin McGuire, Demetrio Cortes, Karen King, Ken Newman, Scott Yeager, Renso Temse, Kelly Singleton, Randal M. Dutra, Jeff Vanuga, Marti Somers, Al Agnew, Kevin Webster, Laura Wilson, Trevor Swanson, Sergio Gaspar, Christopher Boyer, Shawn Gould and Frank Baggett.
Gallery of the Commons is a free place for artists to display their works.
How the Gallery of the Commons works: You can submit an art work. Gallery of the Commons is designed foremost to let artists who are excited about sharing new or important works to post them here.
Artists (or their gallery representative) are invited to submit one imageevery month , so long as the subjectmatter of the work deals with wildlife or nature (we are loose in hardlines and definitions—view Gallary of the Commons in the past).
We will display up to 50 different works on Gallery of the Commons at a time. Once we reach 50, we will begin receiving submissions to post on thenext Gallery of the Commons in early December 2009. When you send usan image of a painting, sculpture, photograph or other visual work ofart, include name of artist, title of the work if there is one, medium,dimensions, and gallery or website where the piece is on display.
Send it to: editor@wildlifeartjournal.com Put "Gallery of the Commons" in the subject line. Include your own website address, and please send the image in jpg format.
PHOTO CREDITS >> Laura Wilson, Stéphane Hette, Hisi Nampeyo, John W. Jones, Wenying Liu, Raphael Dutra, Adam Smith, Anna Brown Ehlers, Setsuo Hamanaka, Carol McArdle, WAYNE LEVIN, Lars Jonsson, Daniel Smith, Delawepi (Ergil Vallo), Eriko Kobayashi, Steven Fuller, Masaomi Yamamoto, Javier Blas, Mitsuru Nagashima, Steve Osman, Mari Otaguro, Tsunehiko Kuwabara, Douglas Johnson, Alejandro Bertolo, Ken Stockton, Joewillie Echalook, Michelle Osman, Leonie Kamutu Napaltjarri, Jan Martin McGuire, Demetrio Cortes, Karen King, Scott Yeager, Ken Newman, Trevor Swanson, Dan Gerhartz, Renso Tamse, Kelly Singleton, RANDAL M. DUTRA, Broderick Crawford, T. Allen Lawson, Jeff Vanuga, Al Agnew, Kevin Webster, Marti Somers, Sergio Gaspar, Christopher Boyer, Shawn Gould, Frank Baggett Thanks for allowing a venue to show our workPosted By Ken Newman on Dec 7, 2009 There is not one right or wrong way to sculpt, paint or photograph an animal. The variety of subjects, techniques and styles tells all.
We are fortunate that the Wildlife Art Journal provides a venue for artists to have their work seen on-line within your magazine format. The link to the site was somewhat unexpected but appreciated. Thank you.
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Thanks for allowing a venue to show our work
We are fortunate that the Wildlife Art Journal provides a venue for artists to have their work seen on-line within your magazine format. The link to the site was somewhat unexpected but appreciated. Thank you.