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A VIEW OF KIRITAPPU WETLAND, watercolor, By Eriko KobayashiSubscribers may see all 14 images. BIWASE BAY AND THE CAPE OF KIRITAPPU, watercolor. Kobayashi says that many tufted puffins used to reside on the small island near the cape, but unfortunately only a few still survive, at most.
By Eriko KobayashiSubscribers may see all 14 images. FLOWER SKETCHES AT KIRITAPPU, watercolor, By ERIKO KOBAYASHISubscribers may see all 14 images. FAMILY WORKING ON A KELP DRYING GROUND, watercolor, By ERIKO KOBAYASHISubscribers may see all 14 images. SONG BIRD SKETCHES, EASTERN HOKKAIDO, watercolor, By Eriko KobayashiSubscribers may see all 14 images. A Letter from Kiritappu Marsh in Eastern Hokkaido, JapanFor Eriko Kobayashi, The Wetland Is Home Ground For Her Art And Sense Of PlaceWritten By Eriko Kobayashi (Author's Bio) What is one of my favorite places in the world? Every summer, I try to spend two weeks at a town, Kiritappu, in the eastern Hokkaido, one of the most remote corners of the Japanese archipelago. I enjoy going there to sketch living things at the marsh, and observe local rural people. Two years ago, I had a chat with a friend of mine, a fisherman’s wife. What she told me was, "I think that there is an important story for our next generation in this town.”
I think there is much we can learn from a place where the environment and human culture is so closely intertwined. People in Kiritappu have strong connections with nature, as most of them make their living from fishing, dairy farms, or tourism.
Kiritappu Wetland is a point of convergence, set between the ocean and land. It takes in seawater and delivers benefits for those in the community, and for those of us who go there to enjoy wildlife. I always feel the life cycles of nature here, and decided to record it and the people of Kiritappu throughout the four seasons in my naturalist's journal.
When I arrived at the end of June, the wetland was a carpet of cotton grasses. According to a local nature guide, a profusion of cotton grasses comes roughly every four years, and this was one of them. We enjoyed the white fluffy waves longer than in the normal years, perhaps because we don't know... Additional Article Information:· Article is 1,259 words long (250 are displayed in this preview). Author: Eriko Kobayashi Post Date:December 29th, 2010 'For Eriko Kobayashi, Kiritappu Marsh in Eastern Hokkaido, Japan, is a place that grounds her art and sense of place. Enjoy this sweet letter from a fishing village that is a popular destination for birders and artistic naturalists.
' Research tags: wildlife art journal, Kiritappu wetland, wildlife art, wildlife art japan, kiritappu wetland trust, eriko kobayashi, birding japan, Tsutomu Kikuchi, Michiaki Ujihara, Kenji Nanamiya, Chisato Sugiura, Masaomi Yamamoto, Mari Otaguro, Hisashi Masuda, Osao Ujihara, Nobuo Eguchi, Setsuo Hamanaka, Kiyoshi Yasuda, Toyomi Tanaka, Tsunehiko Kuwabara, Utako Kikutani, Yasuo Watanabe, Yoshihiro Funada, Yoshitaka Minowa, Yozo Hamaguchi
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